The full 360

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I guess I remember this song, when it was "popular", but I really know it more for the commercial, which is apparently a true life making of a (millionaire) brand new rich person. But this little duckie cracks me up every time I see him on the way home, as I do often, since it's around the corner from my house.

Some artists are more equal than others.

A society free to borrow and build upon the past is culturally richer than a controlled one. - Lawrence Lessing

Why would I post an 18 minute video? And one from 2004 (which is like a different era in internet years).  I mean no one of the no one that reads this blog is going to sit through a whole video about a drum break. 

But. But! 

This is about the Amen break

And it is SOPA related. In a sense. Squint your eyes. 

Have you ever seen that video about how all of modern popular music uses the same same chord progression? This is like that, but for music with a groove. You know, that you can dance to. (Black people music and derivatives of such).

This video is an ontological walk through modern music since the advent of digital sampling. Instead of being a boon to new types of music and wonderful combinations, it was stifled by the greedy, greedy, record industry. To make his point he uses the Amen break which has been around more than Lindsay Lohan. Everyone from 3rd Bass*, to  NWA- Straight out of Compton used this beat. It was also the foundation of British Rave/Jungle/Drum and Bass. They tore apart the six second break, and manipulated it to make new (and sometimes awful) patterns. Music for people doing (party) drugs. 

He goes on to make a really good point though. A point that I think about all the time. Everything is a remix. This is accepted as read now. Artists in all genres use existing forms, and other existing works and make new things from them. Have been for a while. And it's always considered creative reuse except in one case. 

When those artists are rappers**. Then it's all "Fuck you. Pay Me."

Remix culture is (now) well established but in the meantime, in the in between time, artists haven't been able to profit from hundreds of great works. It's taken as gospel that the mix tapes released by hip hop artists have been better than albums for years now. Those years coinciding with the rise in litigiousness of the MPAA. 

And it's especially sad that an artist** like Quentin Tarantino is able to visually sample as much or more than what DJs were doing, but still walk around smelling his own farts, and calling himself an auteur. If only there were Black Lawrence Lessing around in the 80s and early 90s to protect the Prince Pauls, and Terminator Xs, and Eric B's. 

*Ha Ha. I'm like Prince. Or a high school girl. I use numbers for words. And for the record, I was and reamain a big fan of MC Serch. 

**Euphemism alert. 

***I resisted scare quotes around the word artist and settled for a footnote aside. Tarantino is of course a hack. Like Wes Anderson, and Paul Thomas Anderson. They've all made enjoyable films, but so has Sam Raimi and nobody is running around lighting candles for him. 

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Creeper

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From the department of "this guy is exactly who you think he is":

"STREETSBORO, Ohio— The Streetsboro Police Department announced Monday that a man was arrested for child pornography.
David Peters, 66, was indicted on 20 counts of possessing sexually oriented material involving a minor and 20 counts of disseminating sexually oriented material involving a minor." (via deadspin)

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(download)

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Let the Sun Shine

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And here you will find Old Dirty Bastard's FBI File. Ain't democracy great?  The whole thing is 90-some odd pages long and apparently treats the Wu Tang Clang (WTC) as if they were criminal organization (C.R.E.A.M y'all). Along with investigating them for alleged contract hits, and a car-jacking to rob a dealer of some angel dust (!?!), apparently the NYPD enlisted the aid of the FBI and US Attorney's office to bring RICO charges against the group whose logo is readily available on T-shirts at Hot Topics across the country. 

I love this page, I'm sure the redacted info is quite priceless as well, but the the whole things reads like Raymond Chandler. The last line is poignant.  Also, what poor, low level, FBI desk jockey had to manually redact all of this 'sensitive' information. What a weird day serving your country that must have been for her. 
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What We Talk About When We Talk About Sports

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If you go to Grantland from espn.com, they warn you that shit's about to get literate. 

tl;ldr version (with a nod to the Believer): Sports writing has improved a lot.

Mentioned in article: This excellent article from the The Classical (.org) on concussions in sports and how they aren't manly to acknowledge. Fire Joe Morgan , SbNation and their baseball coverage in particular, and of course Grantland where amongst the sports coverage you can also find hilarious articles like this one about Rachel Ray and Guy Fieri.

It's 2012 in declinist America and we have apocalyptic messages coming from the Right with every debate and primary, and also from the left with every exhortation to Remember the Maya! But lest you think it is all bad, fear not. According to almost everyone who writes on either the culture, or lifestyle pages of a website/newspaper: we are in the golden age of TV. 

Which? Probably.

But less mentioned (never) is that we are undeniably in the golden age of sports writing. Rather than recap the history of sports writing (because I'm sure someone would insist that I include descriptions of the first Olympics) let's just take as received wisdom that it used to be bad and now it's good. Don't get me wrong, the New Journalists would occasionally enter into amusing size competitions by testing themselves against their  athletic ideal. And yes, sure, some inventive and clever writing came from this time. Just look at George Plimpton.

But then the internet happened (some sequences have been shortened) and then Fire Joe Morgan happened. 

FJM is the exemplar of a new genre and is throughly internet dependent not just because it allows for cheap distribution, but mainly for the easy access to available statistics-- and just as important, the ability to use hyperlinks to complete a joke. Once upon a time, sports writing was a hagiography, a perpetual Ken Burns effect on grown men playing kids games. But then the jealous writers turned on the athletes  and starting publishing about their bad sides. They no longer venerated the gladiators on the field, instead they were showing off how well they could form opinions. 

FJM came along and armed with facts found those opinions to be laughably empty. They wanted the mediator out of the way and for them to take their racial wolf whistles like gritty (white athletes), or natural talent (black ones), with them.  (Where are they now? The founders quit blogging, and left their mom's basement to go show-run Parks and Recreation.)

On a regular basis, some of the best writing I read on the web is sports related. I read about sports way more than I watch them, because the writing is so lovely. The Classical, Grantland, SBNation, McCovey Chronicles, Deadspin, to name a few. The writers on these publications are clearly the children of post modern, highly referential writers like DFW and Jonathan Lethem. They are young(ish), and their writing is reference filled and highly resemebles the shows they probably watch like 30 Rock, Family Guy, and The Office (aka Reaction Shot Theater).  This article from The Classical is a perfect example. It has a jokes per minute count that would make a sitcom writer envious but instead of overwrought punchlines about dated topics it makes references to universal themes. Cleverly. 

If they weren't writing about sports they'd be writing about pop culture in general, (oh look, Carles writes for Grantland).  This is clear in their allusions to a narrow and well defined subset of knowing and ironic references. (For example, Voltron, Excite Bike, and Coleco- you get the point.) 

This is yet another hipster culture derived from Geekery. I think this is why Baseball writers were amongst the first to settle this land. But as the Slate/Deadspin football roundtable proves, the land rush is in effect. 

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